DAN IS NICE
LAMB & RICE

I saw this on a glass door in Williamsburg. I have no idea what it means.

• Jerry Saltz writing about art auctions on artnet
• David Byrne's streaming radio

Eric Heist
installation view of Travel Agents

I was just reading the May issue of The Brooklyn Rail. There is a great essay by William Powhida on Eric Heist's show, titled Travel Agents, that was up at Schroeder Romero in April.

[photo from Schroedero Romero's web site]

This is a detail from one sculpture. It is almost completely made of paper. The gallery is open tomorrow, so you have one more chance to see the show.

Adia Millett
Pre-Fabricated Innocence: Reproduction (Globe with rabbits), 2004
11" × 14"
c-print

We saw this photograph Saturday at the new Mixed Greens space on 26th Street. It was the last day of the show, but you can see more on their web site.

I love the outside -- inside too, but I don't have a great image -- of the new space. It's a great way to announce the new location:

[photo at top from the Mixed Greens site]

Hello?, the video blog, has a short clip of a performance by DEVA -- the all-girl DEVO cover band.

Our friend DJ Citizen Kane -- no web site yet, coming soon -- has two DJ sets on line worth a listen. I have to find out what record is in the first one with the line "If it feels good, it's alright!"

• From Pure Pleasure Mixes, Citizen Kane - One Take No Dubs
• For BPM Magazine and My Space -- click on Citizen Kane

He has a column in BPM, in case you want to see and read more of him.

K8 Hardy, plus others, at The Muster

We were out of town, but check out posts by Todd Gibson and Nicole Eisenman -- including photos.

[photo above is from Nicole's flickr album]

My favorite arts-related newsletter is the one from New York Foundation for the Arts. The latest one pointed me to a commissioned series of work by our friend Meredith Allen of people posing with her six month-old Shitzu/Jack Russell Terrier, Iggy. Click on the image to see the rest.

We're headed off to a New England vacation tomorrow morning, otherwise we would be at The Muster, and get a portrait done by Nicole Eisenman.

As members, we just received an invitation to a members-only viewing of a show at the Whitney. It's on a Saturday morning, 9-11AM. Not exactly encouraging an interesting downtown crowd to show up, are they?

This opens tonight, along with many other shows (see ArtCal), and looks well worth a visit, either tonight or this weekend, as it ends Sunday.

Parker's Box is delighted to announce its fifth annniversary, and in the true spirit of this celebration, we have invited a houseful of guests (artists, galleries, art publications, activists and nonprofits) to participate in a three day art "market" event that turns the tables on galleries representing artists, in order to have a number of artists "represent" their galleries through specific projects presented together under the same conditions and in similar spaces.

ArtCal has the full details.

A couple of weeks ago, I wrote about a strike by the graduate students at Yale, who do much of the teaching. The Nation has a web article on what's happening at Columbia by Jennifer Washburn, a fellow at the New America Foundation and the author of University, Inc.: The Corporate Corruption of Higher Education.

Columbia is using tactics that would be illegal for any regular employer to use, but the private universities have seen to it that grad students aren't covered, and have hired union-busting law firms to advise them. The Nation has a pdf of a letter from liberal historian Alan Brinkley, currently Columbia's Provost, discussing retaliatory actions to be used against students trying to organize.

The memo, dated February 16, 2005, is signed by none other than Alan Brinkley, a well-known liberal historian who is now serving as Columbia's provost. Brinkley has gone out of his way to assure outside observers, including New York State Senator David Paterson, that "students are free to join or advocate a union, and even to strike, without retribution." Yet his February 16 memo, addressed to seventeen deans, professors and university leaders, lists retaliatory actions that might be taken against students "to discourage" them from striking. Several of these measures would likely rise to the level of illegality if graduate student employees were covered under the National Labor Relations Act.

Such measures include telling graduate student teachers and researchers who contemplate striking that they could "lose their eligibility for summer stipends" (i.e., future work opportunities) and also "lose their eligibility for special awards, such as the Whitings" (a prestigious scholarship and award program). Yet another proposal cited in the memo would require students who participated in the strike "to teach an extra semester or a year" as a condition for receiving their scholarly degree.

Not a very nice example for some of the wealthiest institutions in the country to be setting.

Untitled, 1988
Mark Morrisroe
three dyed x-rays, 17" × 14" each

His new art "career" continues to grow...

James is the curator for this month's Visual AIDS web gallery.

You'll want to read his statement while looking at the images, as he wrote about each artist's work.

[image from Visual AIDS]

John Schenck and Robert Loyd

Two of my mother's friends in Conway, John and Robert are featured in a documentary titled Pink Houses tomorrow at the New York International Independent Film and Video Festival. We had a lovely lunch with them this afternoon.

Here is the description from the festival:

Pink Houses (51 minutes)
Director: Jonathan Crawford
Genre: Documentary
Pink Houses documents an enduring love in an intolerant culture. The film tells the story of John Schenck and Robert Loyd, two men who experienced Stonewall and Vietnam, and now live in rural Arkansas. John and Robert have orchestrated many protests and demonstrations, but their most persuasive activism is their loving thirty year relationship. Pink Houses shows us that love is the most important aspect of marriage.

There was an article about the film in the statewide paper recently (the Arkansas Democrat-Gazette). I'm quoting it, since none of my readers are likely to find another way to see it...

Gay Conway couple documented in film. Hendrix junior debuts Pink Houses

BY DEBRA HALE-SHELTON ARKANSAS DEMOCRAT-GAZETTE
CONWAY — To get to the home of John Schenck and Robert Loyd, no address is needed. Just ask almost anyone in Conway for directions to the Pink House, and that person can point the way, like it or not.

And they may not.

The two-story Queen Anne house, actually pink and blue, has a "Teach Tolerance" sign above the front entrance. It is home to gay hairstylists Schenck and Loyd.

In the past year the two have gone from relative unknowns to political activists. Their sexual orientation has landed them at the head of a gay-pride parade along the streets of Conway, in the center of more than a little controversy — not to mention manure — and now in a film documentary.

The film, produced by Hendrix College student Jonathan Crawford, is titled Pink Houses.

"I used Pink Houses to say this is more than one household of people. It’s just presented through... this couple," said Crawford, a junior English major. "It’s about the gay population and their rights" or the fight for those rights.

The 51-minute film, already presented twice at Hendrix, is scheduled for a May 3 showing in New York. The film, Crawford’s first, will be among nearly 300 featured at the New York International Independent Film and Video Festival.

Before that, it will be shown Friday and Saturday at the University of Central Arkansas as part of Reel Attractions: Arkansas LGBT (Lesbian, Gay, Bisexual and Transgender ) Film Festival.

The New York festival showcases films from around the world. Past festivals have included the works of Susan Sarandon, the late Rod Steiger and Meryl Streep. The festival is promoted as "dedicated to making things happen for emerging filmmakers and screenwriters."

Crawford, 22, made the film last year as part of an independentstudies project. He had interned at Arkansas Educational Television Network but mostly learned "by trial and error and books and asking people... kind of shoestringing it," he said in a recent interview.

He said that between him and his parents, he probably spent $4,000 on the film, mostly for the camera.

"We were impressed that a heterosexual male would take the time and trouble to investigate and validate our lives," Loyd said in an interview last week.

"I was absolutely floored that anybody would be brave enough" to do this film, added Schneck, who grew up in Long Island, N.Y.

If the film makes people think about prejudice, it will have accomplished something, he said. The documentary opens with the camera scanning the couple’s attractively decorated home: lace curtains, Hollywood photographs and autographs, elegantly framed personal pictures — including one of their "wedding" on the state Capitol steps — and their Canadian marriage license.

The dialogue opens with the tall, slightly heavyset Schenck and the much smaller Loyd, both 55, sitting in their home and assailing President Bush and Gov. Mike Huckabee for opposing gay marriage.

The men, partners for 30 years, view their Capitol "wedding," one of several ceremonies they’ve had, as a necessary protest.

"It was not a real wedding. It was not a legal wedding. But it was a morally correct wedding, and it was a statement against a government that should not be sticking their noses into our business anymore," says Loyd, a Vietnam veteran whose graying hair was a bleached blond in the photograph.

While the film is presented from the viewpoint of these two men, it also includes comment from a representative of the Family Council — a Little Rock-based organization that promotes traditional family values — and television footage of Greenbrier farmer Wesley Bono talking about his decision to spread a dump-truck load of manure along streets around the Pink House on the day of last summer’s gay-pride parade.

"It didn’t stop us," Schenck says in the film, while standing outdoors with Loyd. "It smelled horrible for a couple of days, but we’re used to dealing with manure."

The film also shows footage from the parade, including its more than 100 marchers as well as scores of praying, sign-toting protesters.

Schenck and especially Loyd don’t mince words in the film. The take swipes at some of the area’s residents, including those they consider bigots. They say they received death threats after a newspaper ran a story about their efforts to teach tolerance in a class at UCA.

"We were just trying to bring the community together, educate the children a little bit so they wouldn’t grow up to be the same rednecks and haters that their parents were," says Loyd, who grew up in Damascus.

In their 19 years in the Pink House, the two say, people have driven by and shouted derogatory names, shot at their house, broken their car windows and destroyed holiday decorations.

"One year we had a 9-foot Energizer bunny," Loyd says. "It was decapitated Easter morning. I thought that was a little extreme."

Loyd and Schenck fire a few verbal shots themselves, at police and the Robinson & Center Church of Christ, whose building sits across the street from the Pink House.

They’ve filed a federal civil rights lawsuit that names the Conway Police Department, Faulkner County sheriff’s office and an officer in each agency.

The lawsuit stems from a Jan. 18, 2003, incident, when the men say a county officer was verbally abusive after they complained about a car blocking their driveway.

They say that officer and a city officer later pushed open their salon door and handcuffed them. Although they were jailed and charged with disorderly conduct, the charges were later dismissed, Schenck said in a brief interview Friday.

A Conway police spokesman, Lt. Danny Moody, declined to comment Thursday on the allegations. A sheriff’s spokesman, Lt. Jack Pike, could not be reached for comment.

In the film Loyd says he and Schenck have "always had trouble" with the neighboring church members.

In the interview the two men complained about some teenagers making insulting comments. Schneck said they talked with the church’s youth minister, though, and "that ended."

"We still get stares. They don’t go out of their way to be nasty anymore," he said.

In a statement Friday, a church minister, Danny Holman, said, "We have taught the members here the importance of being respectful of all men, even those with whom we have disagreements, and the homosexual community specifically."

He said Schenck and Loyd complained in 1998 about one youth’s comments. Holman said he advised that youth to "disagree respectfully."

Kevin Asman, a Hendrix English professor acted as Crawford’s project adviser on the film, called it "a fabulous first effort."

"He used very limited resources to produce a film that has a lot of artistic merit to it," Asman said.

Rosa Luxemburg

Freedom only for the members of the government, only for the members of the Party — though they are quite numerous — is no freedom at all. Freedom is always the freedom of dissenters. The essence of political freedom depends not on the fanatics of "justice", but rather on all the invigorating, beneficial, and detergent effects of dissenters. If "freedom" becomes "privilege", the workings of political freedom are broken.

-- Rosa Luxemburg

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