I have to admit that Matt Greene's show at Deitch was not one of my favorite things I've seen lately. Roberta Smith, in the New York Times, seems to agree. Her review begins:

Matt Greene's résumé includes lots of the right names in terms of galleries, critics and museum shows, but the paintings in his New York gallery debut disappoint. They seem conservative, thin and calculated to appeal to young, straight, male hedge-fund managers with a yen for lap dances and a taste for magazine illustrations from the 1960s.